Tag: Marketing 3.0

Marketing 3.0Strategy

Welcome to the Experience Economy

The digital world is all about experiences. Combining web content with video and mobile applications (and even large screen and interactive print), organizations have to provide an experience with their brand and content that is compelling enough for users. Although an organization may be selling a product or service, they are first selling an experience with their brand through content (text, images, video, games). The cost of that experience? Attention.

People only have so much attention (just like money in the bank). So they try to spend it wisely and feel cheated when the experience doesn’t live up to the cost.

But when the experience is worth the cost? People get something in return: a relationship. The experience transcends just the screen. It strikes at the heart of who we are and our need to connect. Which is why people gravitate towards experiences that are personalized, dynamic, relevant, and contextual. They want an experience that seems like it was built for them…or will shape to whom they are the more they interact with it.

Ultimately, this is why relationships are the currency of the experience economy. Businesses who can develop, cultivate, and stockpile relationships through engaging and interactive digital experiences will have a larger pool from which to draw repeat (and new) customers while everyone else is trying their hardest to get consumers to spend their attention.

You Can’t Have a Relationship With a Number…or a System.

As marketing has embraced digital (or maybe it’s as consumers have embraced digital and marketers have reacted to it) technology has becoming increasingly important. In many cases, marketers are caught up in the systems they use to generate the leads that drive the business. But that is just as dehumanizing as referring to people as leads or prospects in the first place. Which, of course, jeopardizes developing the relationships that are needed to succeed in the experience economy. Because with that focus on graphs and analytics, marketers stop thinking about the people to whom they are delivering their content. They only think of leads and growth and pipeline.

They ignore that most fundamental aspect of developing a relationship: engagement.

Is It Really That Bad?

Some marketers would say that it’s not. Their job, they would say, is to drive business growth. I would argue that they are no more than robots if that’s the case. Connecting with people through an organization’s brand is the greatest opportunity afforded to marketers by digital. For the first time they can really form one-to-one relationships with existing customers and people who are interested in becoming customers. It’s a global version of the corner store or the water cooler. People expose information about themselves in digital forums that they would never speak about face-to-face. And yet little is done to cultivate that.

Developing relationships with people can be an uncomfortable business. Marketers need to get uncomfortable.

Why Are Relationships So Important?

In a world full of noise, marketers must do something to separate themselves and their brand. Sometimes that may be a catchy marketing gimmick. Sometimes that may be an accidental campaign gone viral. But for the most part it will be something that fundamentally touches the core of what makes us human: connection. As humans we want to be a part of something. A neighborhood. A political party. A family. And that is no less in the digital world. In fact, digital exacerbates it by making connectivity easier. In all that noise and clutter that is becoming online, to whom will people turn when they are looking to make a purchase or subscribe to a service? To the marketer with the catchy jingle? Or to the marketer that is connecting and engaging with them through Facebook, blogs, email, and more?

In the experience economy, relationships are the new currency. At the heart of relationships is engagement. Engagement is personal.

The First Step to Humanizing Marketing

I admit this is a bit of a fluffy post. But it’s been weighing on me. Marketers have this great opportunity to actually talk with people through their digital marketing and yet, instead, they focus on programs and campaigns and a lot of that “broadcast marketing” mentality.

So the first step to humanizing marketing? Stop thinking about leads and pipeline and acquisition and start thinking about engagement. Talk with people through posts and tweets. Send personalized email. Develop trust and credibility by providing content that is helpful (not product focused). This is why persona-based marketing is so important. When you see your targets not as targets but as people (which is possible when you “put yourself in their shoes”) you have a much greater appreciation of

A New Way to Measure?

There have been a lot of services hitting the marketing industry offering to help manage social engagement. Of course, social is only one way to engage with people. But they bring with them the beginnings of a new paradigm: measuring engagement. Of course, the beginning is just that. And the offerings are shallow. What marketers need is a way to quantify the value of a relationship:

  • how deep is the person’s network?
  • how often do they talk about my brand to their network?
  • through what content do they engage with me most?
  • what was my last engagement with them?
  • what kind of conversations do they want to have?

When the marketing industry can develop software to help quantify the value of a relationship, we can take the second step towards humanizing marketing.

The Second Step to Humanizing Marketing

Where the first step is pretty easy (if not time-consuming), the second step is hard. We have to convince a global economy that relationships with people are the best long-term strategy for continued growth and success. That’s right. It’s not short-term pipeline that will make the company succeed. It’s the trust, credibility, and customization provided by a humanized approach to marketing that will build the business of the future. It’s people.

Doing this will require educating executives that short-term leads are counter-productive to long-term growth. The pipeline will fill. The leads will generate. But it has to be done naturally, through establishing a relationship, or it comes off as just a clinical activity involving systems and spreadsheets.

The Middle Ground?

Okay, so I would be remiss if I didn’t admit that there is a place for lead-generation marketing activity. Let’s face it, some people don’t want a relationship. They just want to get in and get out. Marketing, then, should be about building a layered approach. For those that just need the facts, that just want the information so they can decide themselves, that just want to buy, treat them like they want to be treated. Like a number. One could argue that by giving them what they want marketers are actually establishing a relationship with them as well (albeit utilitarian).

But this approach can’t be the dominate layer. Again, long-term business success in the experience economy is all about establishing relationships and connecting with people so that you become the place where they spend their attention. But a combination of tactics actually enables marketers to satisfy existing business requirements (i.e., lead generation, conversion, and pipeline growth) while practicing the humanization of their craft…and demonstrating how deep, intimate relationships with online users can actually generate much more success than focusing just on the numbers.

Go Forth…and Humanize!

Okay, in addition to being a little fluffy, this post (and my position) is a bit Utopian. But successful marketers are already changing. Just look at the trend towards storytelling (the foundation of any good experience).

Marketing is going to change. Do marketers all need to get around a campfire and sing Kumbaya? No. But if marketers fail to understand that they must treat their audience as people who want to have some kind of relationship (and not be considered just a number) they will get lost in the noise.

This blog post is from  http://www.rethinkeverythingblog.com/2017/10/22/humanizing-marketing/

Marketing 3.0storytelling

A Glimpse Into the Future of Storytelling

For storytellers, digital is the biggest candy shop ever created. It enables stories to be told in fantastic new ways that combine a variety of media including written word, images, video, and even games…all at the same time. Of course, it took a while for the technology to get to a point where that was possible (i.e., HTML 5, javascript, parallax and responsive design, etc.) but we are finally beginning to see what the future of storytelling might become.

Snow Fall: The Avalanche at Tunnel Creek is an immersive story experience using a variety of different media simultaneously to provide a multi-sensory digital experience.

This is a different approach than Transmedia Storytelling. Rather than spreading story elements (in different media/experiences) across platforms, this approach combines them all into a single experience which is, by nature, cross platform.

You can experience the story for yourself at: http://www.nytimes.com/projects/2012/snow-fall/#/?part=tunnel-creek

This blogpost is from   www.rethinkeverythingblog.com/2017/10/08/a-glimpse-into-the-future-of-storytelling/

Marketing 3.0storytellingTourism marketing

Storytelling for Marketers: Connecting the Dots

There’s been a lot of conversation about storytelling lately for business marketers. But as I keep writing about storytelling I realize that I am touching on different pieces. This post is an attempt to connect all the dots so that marketers understand what storytelling is and why it’s important for their business.

Dot #1: Telling a Story Grabs Attention

Digital has created a lot of noise. More people posting more content into more channels. Which is why people have reverted to “information snacking.” There’s just not enough time in the day to pay attention to everything. So you need a way to stand out. You need to give people a reason to stop snacking and start reading or watching. Why does a story get attention? Because we are hard wired for stories. Stories help us remember. Stories connect us with each other. I won’t go into all the biology and psychology behind stories but, trust me, they have an impact.

When marketers transition from just broadcasting a message about their product (i.e., “our product is the best because it helps you solve this problem”) to telling a story, they stick out. And you can tell a story at different parts of the buyer’s journey.

Aside: How Do I Tell a Story For My Business?

First, it’s not about writing a novel. This isn’t a romance or a murder mystery. But it is about creating a narrative arc and characters and a conflict and a resolution. For example, I bet that most of your customers have a story about how they found your product. Or, I bet that your industry has stories about critical challenges facing us today. These stories that you tell aren’t about your company or your product. They are about connecting to your customer. So keep your brand out of it. Keep you out of it. Let your customers or your industry or other people be the point of your story and through that, your audience will connect it to you (and your brand/product).

Dot #2: Getting Attention Gives You the Opportunity to Engage

You want to engage with your audience. Heck, it’s what digital enables us to do. One-to-one conversations via social media and email and blog comments. That’s powerful. But you can’t even think of doing that if people aren’t paying attention. So if you are telling stories (and people are starting to pay attention) you have awareness (at the bottom of the relationship pyramid) and the opportunity to move people up the pyramid through further engagement.

Dot #3: Engagement Leads to Long-term Relationships

Unless you are selling a commodity or utility product/service, developing relationships is critical to your long-term success. In the digital world, relationships with influencer customers provide you access to a vast network of other relationships. But you can’t develop relationships if you don’t have attention…and you aren’t engaging.

Aside: Why is Content Marketing So Important?

Marketers are becoming publishers. Why? Because by giving your audience content that they find useful (Coca-Cola does an awesome job at this) you build credibility and trust which, again, helps you drive them up the relationship pyramid. Remember that you don’t have to give them content about you. Give them content they will find useful, content that will help them solve a problem or generate a discussion. We have done this at Limelight by talking about changes in the marketing industry (changes like the importance of storytelling).

Dot #4: Engagement Leads to Sales Opportunities

Every time that you engage with someone you expose a sales opportunity. But you can’t push it. When you push it, people will turn away and the relationship you have with them will tumble down the relationship pyramid. That’s bad. People will buy when they are ready. If you have the credibility, trust, and relationship with them when they are ready to purchase, you will be first in their mind.

Dot #5: ROI Will Come (But Later Than Credibility)

Okay, it goes without saying that you need to show return for your efforts. No organization is just going to spend money continually on marketing if the activities marketing is carrying out aren’t impacting the business. But the problem is that most storytelling is “awareness marketing.” It’s all about establishing trust, credibility, relationships, etc. for the chance of a sales opportunity down the road. Many CxOs have an unrealistic expectation that everything marketing does should immediately bear return. That may have been the case in old-school marketing (i.e., broadcast marketing) but it’s not the case with engagement marketing. Of course sales will happen short-term. As a central strategy for any content marketing effort, storytelling is more about the long-term.

Other Things to Consider

Digital gives us a way to tell stories like never before. Things can be connected across platforms. We can create “experiences” which combine stories in different mediums. Below are a few things to consider about storytelling in the digital world:

  • Video improves everything about storytelling. Let’s face it: we are hard-wired for motion. It’s in the way our brains are constructed. So when presented with a story that is still (words + images) vs in motion (video) we will tend to gravitate to the later. Stories that include (or are encapsulated by) video will succeed over stories that aren’t.
  • People are mobile all the time. Your audience isn’t sitting on your couch (or at their desk) engaging with their story. Chances are they are out and about. Running errands. Heading to meetings. Walking the hall. You have to keep this in mind as you craft your story not only for the form-factor but also for what will be most impactful on a smartphone or tablet screen. Delivering the 1200-word article of your story as part of a mobile experience is probably not going to keep much attention.
  • Digital is immersive. Although we are still learning about how this applies to business, transmedia storytelling has been around a while. What is it? Simply put, it’s about telling different parts of the story in different channels and connecting them all together as one big experience. When you do that, people can get lost in your story moving from one channel to another. They enjoy the novelty of discovering and finding new things.

This blog post is from www.rethinkeverythingblog.com/2017/11/04/storytelling-for-marketers-connecting-the-dots/

Marketing 3.0storytelling

What Makes a Good Story (From 6 Masters of the Craft)

I write and speak a lot about storytelling. Of course, my focus is the business world and helping organizations engage better with people. But when it really comes down to it, there isn’t really any difference  between stories told for a business purpose and those told otherwise. Why? Because we are all people. Businesses have a terrible habit of de-humanizing the world, of turning people into numbers and relationships into prospects. Only that doesn’t really engender trust, credibility, and loyalty, does it? Characteristics that every business wants from their customers.

No, business must treat their audience as people. They must learn to engage with them. They must learn to connect with them. Stories do that really well which is why I pound the pulpit everyday (including in this very post). Only most business marketers don’t consider themselves storytellers. They equate storytelling with Stephen King and Shakespeare, not with their craft of creating demand, building pipeline, and converting prospects.

But I think all marketers can be storytellers because, as people, we are all storytellers at heart. We may not be comfortable with it. We may not understand how to do it (i.e., the conventions). But those are surmountable obstacles.

Below is a link to a TED playlist on “how to tell a great story.” This playlist features 6 videos from 6 well known storytellers who talk about everything from cultural stories to comic books.

I’ve sampled two of them and tried to capture their key points.

Andrew Stanton: The clues to a great story

Andrew (the guy behind Wall-E and Toy Story) explores what makes stories great. In his words, great stories “make us care.” And when we care? We have a relationship with the storyteller. Some of his key points about a great story:

  1. They should provide a promise that the story will lead somewhere. In my 9C’s of Storytelling, I refer to this as Conclusion. Any story with a good narrative arc will have a reason for existing because there is a resolution that is promised.
  2. The unifying theory of 2+2. Don’t give your audience 4. Give them 2+2. As humans, we are wired to deduce. Let them figure it out and draw their own conclusions.
  3. Characters have an itch they can’t scratch, some fundamental motivation that drives them. This is part of the 2+2, the thing that the audience has to deduce.
  4. Drama is anticipation mingled with uncertainty (William Archer). You story needs to construct anticipation and it needs to make the audience want to know what happens next.
  5. Storytelling has guidelines, not hard, fast rules.
  6. Wonder is the “secret sauce” of great stories. Wonder is honest. It’s innocent. It can’t be artificially created.

The mystery box, by J.J. Abrams

  1. Abrams (yeah, that Lost guy amongst other epic blockbuster movies) talks about mystery and why it’s so important in stories. And he rambles a a bit but he has some very salient ideas.
  2. Good stories (like StarWars) are a series of questions that continue to lead the audience towards the conclusion.
  3. Intentionally withholding information is much more engaging. This is similar to Andrew Stanton’s second point (the unifying theory of 2+2) and his fourth point about anticipation.
  4. Technology enables storytelling. It provides us possibilities to tell a story in any way, shape, or form. Technology has become part of the storytelling.

Image courtesy of www.endinghunger.org

This post is from www.rethinkeverythingblog.com/2017/11/07/what-makes-a-good-story-from-6-masters-of-the-craft/

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3 Transmedia Tactics for Creating Compelling Audience Experiences

This is a guest post form Krishna Stott. Krishna is a technology and story pioneer. He runs Bellyfeel, a leading provider of information and consultancy for traditional media producers who want to expand their audience and increase profits using new devices and platforms.

As a creator, producer and consultant of Transmedia I draw heavily on the media that got me excited when I was a kid. Movies, TV, Music and Books.

Some of those things don’t exist anymore; VHS, vinyl, cassette – but the feelings are still there.

Analogue vs Digital

Those analogue and physical formats were big influences on me and I can’t help thinking that digital is not as rewarding – so you have to try harder as a creator.

As a kid, I would salivate like a starving dog in anticipation of the next 7” single from the Buzzcocks or the Clash. After a Saturday trip to town to buy the shiny black disc in a full color sleeve, I would be vibrating with pleasure on the bus home. Then the joy of popping on the turntable, dropping the needle and experiencing the music.

I would pore over the sleeve for clues as to what my heroes were saying with this latest slice of pop culture. And getting a bit of ‘behind the scenes’ was really exciting – if you could hear the band talking in the intro or outro, or even a distant ‘1 2 3 4 !’ – this was a massive bonus.

Instant Pop Culture

Digital is all about QUICK – NOW – NO WAITING. That’s not good or bad – it’s just how it is – but instant doesn’t mean better.

And digital gives many more options for creativity and business. But more options doesn’t mean better quality experiences.

In a way, you now have a bigger palette for storytelling but the paint is thinner and the picture comes out not as bright or vivid. (Which is ironic because digital is perceived as being brighter and clearer than analogue media.)

So how do you evoke the kinds of feelings that get today’s audience hooked and wanting more, more, more.

Ignite Your Audience With These Transmedia Tactics

I have been creating Digital, Interactive and Transmedia stories for 15 years now. In that time I have picked up a few useful tricks. Here are 3 Transmedia Tactics you can use to ensure your audience gets very excited about your story experience.

1 – Fan Allegiance.

In the old days this meant joining a fan club by mail or reading the weeklies to keep track of their progress – today you can make it easy for fans to connect and take them along with you (and your story) at very low cost, on a global scale.

Do you know the famous Transmedia campaign “Why So Serious?”. This campaign for the “Dark Knight” film had over 10 million fans all following and joining in the actions around the world. Make your content meaningful to your audience and aim for 10 million global fans!

2 – Anticipation.

Once the audience is hooked in, make them wait a while! Then reward them – this will get them chomping at the bit. Don’t make it so easy for the audience – if your story is good enough it will be worth waiting for.

There was a very early interactive web campaign for the 1997 film “The Game” which actually refused entry to lots of people. This was a completely counter intuitive tactic at the time but a genius one IMHO. Make the audience wait… make them wait and then give them…

3 – WOW! Moments.

Although digital storytelling relies on systems for delivery – when telling stories you have to break out of the systems every now and then to create big WOW! Moments.

Remember a film called “The Crying Game”? Watch this film if you don’t know what a WOW! Moment is. Get the audience to expect the unexpected from your story!

These 3 Transmedia Tactics are highly effective in turning your audience into rabid fans – and your audience had better be hot under the collar as the competition for attention is ferocious these days.

This blog post is from  www.tstoryteller.com/three-transmedia-tactics-for-creating-compelling-audience-experiences

Marketing 3.0storytellingTourism marketing

Why Storytelling is So Important to Marketing

In relation with my article Transmedia Storytelling as the future of digital marketing, a lot of the thinking behind it was related to my work at Limelight Networks and our recent pivot towards becoming the leader in digital presence management. The gist was this: our emerging multi-device behavior coupled with a growing “always on” existence requires that marketing messages are consistent across the devices. Transmedia storytelling is simply a vehicle by which to enable that.

But that brings up the question, “why storytelling?”

A (Brief) Understanding of Stories

Why do we love stories? Why do we like to tell them? Why do we like to listen to them, watch them, and read them? Aristotle believed that they embodied fundamental, visceral responses to our own lives so we watched them as a reflection of us. But he felt that plot, and the ability to create a powerful structure, are more important than character or dialogue: “…every drama alike has spectacle, character, plot, diction, song and reasoning. But the most important of them is the structure of the events” (Poetics). What Aristotle didn’t consider was the personification of the events and the environment. When there is only an event, the event itself becomes the character. In essence, Aristotle had it correct, but he didn’t quite understand why. It is only through decades and centuries of philosophical, neurological, and psychological inquiry that we understand the human need to personify, to make things relate to ourselves (egotistically, of course). And, that is ultimately why we enjoy them. They provide us a mechanism to create connection and, ultimately, shape our own identities (a topic that I explored deeply during my graduate studies and hope to return to for my doctorate). What will throw you for a loop is to consider that everything we do in life, every bit of news, every bit of memory and photograph, is a story that we shape to our own needs (either to support who we are, through both negative and positive connotation, or what we want to do). It goes back to that connection. Whether we watch or act, our brains actively work to create a connection between what’s happening in the story and our own identities.

The Impact of Stories on Marketing

According to Maslow, there is a hierarchy of needs that drive all human motivation. In a commercial economy, those needs are often actualized by purchases. So you purchase base necessities first (the physiological needs according to Maslow) and then eventually luxuries, etc. Although I think Maslow’s work needs a revisit, it’s a fair framework. It’s possible that the digital world upsets those hierarchies and that long-term modification is in order. But, whatever aspect of the hierarchy comes first, influence is critical especially in a highly competitive commercial market (i.e., a global digital economy). There are simply too many products (and too many merchants selling the same products) that without influence, failure is pre-determined.

How then can a marketer create the most influence? How do they stand out from competitive products (and competitive merchants)? Easy. They create an emotional connection between the potential customer and the product/company.

Why the World of Marketing Today is So Different Than Before

The economy is globalizing. Plain and simple. Here’s why:

  • E-commerce. Anyone, anywhere in the world can setup a shop online and sell products.
  • Global logistics. UPS, DHL, Fedex. These and other companies have established a worldwide distribution network.
  • Product digitization. Mobile applications, desktop software, music, movies, books.

Because of this global economy, traditional “spray and pray” marketing no longer works. In the past, regional and physical boundaries minimized product competition. There may have been only several product competitors in any given area. That no longer applies. In the global, digital economy, competitors can appear overnight. Boundaries are removed. Companies that once benefited from “spray and pray” in local or regionalized markets find themselves now competing with hundreds of competitors simultaneously. Hoping that marketing messages get heard ensures that they don’t.

Today, marketers are intrinsically worried about the “noise:” all those other messages about similar products, and so they seek any way to set themselves apart. The way to do that most effectively is by creating an emotional connection with the customer. By telling a story.

A Message That’s not a Message

Marketers as storytellers are doing something fundamentally different than marketers of before: they are focusing on establishing a connection between customer and message first and selling the product second. They are telling a story in which the product or service is an element. Perhaps it is the catalyst for change (i.e., a character in the story uses the product and is changed for the better or worse) or perhaps it helps move the story along. Whatever, the product or service only serves a role. The story is primary.

And, because of that, the message sounds more genuine. Although consumers ultimately understand that the message is intended to convince them to buy the product or service, they are emotionally connected to the characters (or the “action” of the story in the event that such action is personified) because it is a story. They see the character as a representation of their own needs (back to Maslow). Because that character uses the product, the need is transferred. Of course, this works in both directions. When there is a negative association with the characters within the message, the character’s needs for the product (i.e., how they are using it) become a reason not to purchase.

Why Transmedia Storytelling Will Be the Most Impactful

Which leads us back to Transmedia Storytelling. In 1964, Marshal McLuhan coined a phrase: “The medium is the message.” Although I won’t go into details here (there are plenty of resource that explain McLuhan’s philosophy), the basic tenant is that how the message is delivered has just as much impact as the content of the message itself. So a message delivered via a movie versus via a written page versus  still images affects the message which is hugely important when trying to create an emotional connection between the customer and the characters in the story. And, mediums are multi-dimensional. So video on a mobile is still different from video on TV just as video on a flip-phone is different from video on a smartphone. It is critically important that marketers understand how McLuhan’s original philosophy is impacted by the digital world. He never foresaw the number of channels and methods by which a message can get delivered.

Why is this important? It goes back to creating connection. Some customers will find appeal in certain messages delivered via certain channels. That’s what McLuhan was truly after. To appeal to the broadest set of customers, then, marketers must craft stories that take advantage of their mediums. Ultimately, you can call it whatever you want. Right now we have Transmedia Storytelling. Tomorrow it may be another term. Regardless of the name, it’s a framework for marketers to tell stories that leverage the medium by which the message is delivered (i.e., TV vs phone) and in which the message is delivered (i.e., videos vs. text vs. pictures, etc.).

 This blog post is from www.rethinkeverythingblog.com/2017/08/31/why-storytelling-is-so-important-to-marketing/

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Tomorrow’s DMOs Must Become Brand Managers

This article is written by Bill Baker, Chief Strategist at Total Destination Marketing, author, speaker, and blogger at “Small City Branding around the world”

It seems that every other day I see more evidence that the role of destination marketing organizations (DMOs) is under greater threats and challenges than ever before. The diminishing role of print and broadcast advertising, the ready availability of new sources of unbiased destination information and new distribution systems all challenge DMOs to redefine the value that they add for their community. They must not only adjust to reduced budgets, but also avoid the ongoing technological and consumer behavior changes that are totally reshaping the game. Added to that, there are now previously unseen competitors and alternatives that threaten to replace them. Never before has the relevance and role of DMOs been as hotly debated.

It’s not hard to find DMOs that have had their budgets decimated or even worse are closing their doors. In most cases, this is extremely short-termed thinking where the objective has been to balance the City’s bottom line because of shortfalls in taxes and revenue. Cities that are serious about economic development and tourism, and the long term prosperity and growth of their communities need their DMO and the stellar reputation for their city like never before. However, in this environment DMOs must adjust their focus, role and the way that they operate. Specifically, they must become brand managers on behalf of their cities.

These challenges have been addressed by DMAI in its excellent DestinationNEXT Report which provides an important strategic roadmap for DMOs to succeed in the future. The Report reveals three transformational opportunities that DMO have to effectively address in this rapidly changing world. These transformational opportunities are:

  1. Dealing with the new marketplace
  2. Building and protecting the destination brand
  3. Evolving the DMO business model

Recommending that DMOs become brand managers by building and protecting their brand is not new to the TDM team. We have been advocating this for more than a decade.

This post is from http://citybranding.typepad.com/

Co-creationCulture changeInnovationInnovative cultureMarketing 3.0

The Impact of Social Media on Creativity

GigaOm recently published a great piece on discussing the impact of social media on creativity, citing the John Mayer’s tribulations with Twitter as their prime example:

http://gigaom.com/2011/07/19/does-using-social-media-interfere-with-creativity/

Although I definitely think a discussion around “distraction” is worth a few sentences, I don’t think it’s fair to make blatant statements about social media and creativity. Creativity can be inspired by the most unexpected of things. Perhaps it’s less so for musicians, but as a writer I often find inspiration in the most unlikely of places including tweets and status updates. One could argue that reading is not the same as posting and I would agree but there are many times when posting triggers responses that provide inspiration. I also conjecture that distraction is not necessarily a bad thing for art either.

There are times when focus is needed. I don’t want people talking at me or email dinging or tweets flying when I am head down on a piece. But there are other times when the distraction is welcome, when the creative process has stalled enough that distraction can provide the impetus to new inspiration. What is interesting about GigaOm’s piece is Mayer’s fixation on distraction. It became the primary focus rather than the distraction (perhaps his songwriting and tweeting switched places, and songwriting became the distraction).

Regardless, that is an individual artist’s issue, not necessarily an epidemic for artists as a whole. In fact, one would begin to wonder if John was looking for a way to avoid his art and saw Tweeting and social media as an easy distraction. But social network does embody something very intrinsic to the artist: the need to be at the center of things. Although some artists may not agree, saying they produce art for art’s sake, I argue that’s a rouse. The only point of art is for people to enjoy and appreciate it and, by doing so, the artist. If people are listening to your songs, what’s the point of writing them? This need to be loved, to have the attention of people, is endemic to the artist’s condition, his reason d’etre.

Unfortunately, as I have written before, being an author (or artist) will be tougher as time goes on because getting the attention for one’s art will become more difficult in the constant flow of tweets and status updates. That will require artists to adopt new means of connecting with their fans (i.e., social networking) especially when there will be fewer opportunities for traditional media promotion (i.e., agents). It may be interesting to see the rise of “social networking managers” to help the artist deal with and manage their tweets and other social feeds. This new requirement to connect with fans to promote art is simply another aspect of the “business” of being an artist that needs to be managed accordingly.

Social networking, as a whole, thought is a distraction to life. It interrupts work, it interrupts thoughts, it interrupts conversations and television shows. But it poses no more a threat to creativity than any other form of distraction including all of the other business aspects of being an artist (or at least trying to make a living at it).

www.rethinkeverythingblog.com/2017/12/20/the-impat-of-social-media-on-creativity/

Co-creationCollaborative business modelsCollaborative cultureMarketing 3.0Tourism marketing

How to Involve Locals in Destination Management & Marketing

In today’s tourism marketing world, all buzz is around discovering a destination like a local. If you search for “travel like a local,” you will find countless articles and websites trying to help travelers discover destinations through a different perspective. As an avid traveler that loves to escape tourist traps, I appreciate destination marketing organizations trying to help me connect with recommendations from people who live in the destinations I want to visit.

I think this is why Airbnb.com and the sharing economy are taking off, not just because it provides a different type of accommodation, but because it connects visitors with locals. One of the benefits of staying at an Airbnb.com property is the ability to meet a local to give you recommendations for what to do, where to eat, and how to experience the destination away from the hop-on, hop-off tour buses. Who doesn’t want this type of local knowledge when planning a trip to an unknown destination?

The challenge for destination marketing organizations is how do you get locals involved and willing to share their recommendations with visitors? Destinations like Philadelphia, are launching programs called “Philly like a local” – Experience Philadelphia as its residents know and love it,” which recruits locals to take over the DMO’s social media accounts. But taking that approach to scale and getting hundreds or thousands of locals involved in a program to answer the question “What is so special about my place?” is not an easy task……unless you have the National Geographic Society on your side.

We have been very fortunate to work alongside National Geographic for the last 7 years helping destinations apply an approach to sustainable tourism development called Geotourism. A concept created by Jonathan Tourtellot, geotourism encourages destinations to develop and market tourism products that sustain and enhance the geographical character of a place—its environment, culture, geology, aesthetics, heritage, and the well-being of its residents.

The Geotourism approach is unique among tourism development solutions due to its focus on the establishment and empowerment of a private-public partnership that serves as a forum for dialogue, collaboration, and planning among local businesses, non-profit organizations, residents and tourism authorities. The goal is to better manage challenges through cooperation while also identifying, sustaining, enhancing, and promoting the destination’s unique assets.

As a tourism development and marketing professional working in the field for more than a decade, I can tell you that bringing stakeholders together to participate in a tourism development and marketing program is hard work. Every one of our projects involves some type of stakeholder engagement process to plan and implement destination and marketing programs, but getting government, businesses, and residents to come together for a meeting or complete a task is extremely difficult.

This all changes when National Geographic is part of the program. The power of that yellow logo is incredible. People all over the world admire the brand immensely and jump at the opportunity to collaborate with such an respected organization. With the mission of inspiring people to care about the planet, they are extremely effective at getting locals engaged in caring for their destinations.

James Dion leader of the Geotourism program, kicks off every project with a public launch announcing the program. This brings together businesses, politicians, residents, and media to learn about the program and how they can be involved. After the public launch event, local residents are encouraged to visit a National Geographic co-branded website to nominate a business, place, attraction, or event that is an authentically local experience. This event and program generates incredible media attention at a local level, helping further distribute the call for participation from locals.

We are currently in production of a U.S. Gulf States Geotourism program supported by national, state, and local partners to raise awareness of the unique cultural and environmental experiences in Louisiana, Mississippi, Alabama, and the panhandle of Florida. We are working to rebuild the area’s allure following the 2010 Gulf of Mexico Deepwater Horizon oil spill that caused a devastating economic impact on the region.

Through local events and media outreach led by our local consultants, the program is generating incredible media coverage, which in turn has inspired over 1,000 nominations (and counting!) from locals for the Geotourism MapGuide. Once the nomination period closes, National Geographic’s team of cartographers, editors, fact checkers, and designers will work with the local public-private partnerships created at the beginning of the program to finalize the MapGuide and prepare for a public roll-out.

In summary, getting locals involved in destination marketing and management is not only a wise approach to ensuring a destination maintains it’s sense of place, but it also is a great way to help visitors discover the hidden gems of your destination. Here is some of the most recent media attention generated from the U.S. Gulf States Geotourism program. It’s just one great example of how the program effectively brings people together and generates immediate excitement.

Alabama to be part of National Geographic geotourism project – Your Town Alabama

Residents encouraged to nominate areas for geotourism – The Selma Times-Journal

What’s special about Columbus? Nominate your pick for National Geographic map – The Dispatch

National Geographic launching locally built travel guides in BP oil spill states – The Time Picayune

Louisiana selected as part of National Geographic’s Geotourism interactive map – WAFB News

Let National Geographic help you – Natchez Democrat

Your authentic Florida location belongs in Nat Geo’s geotourism guide – Visit Florida

Alabama Gulf Coast site nominations sought for Geotourism MapGuide – AL.com

Massive geotourism project underway in U.S. Gulf Coast States – Destination Stewardship Center

This blog post is from www.solimarinternational.com/resources-page/blog/itemlist/tag/Destination%20Management?start=10

Marketing 3.0StrategyStrategy planning & executionSustainabilityTourism trends

The Evolution of Destination Management

In the 1950s, before affordable jetliners helped to launch the modern-day tourism explosion, the world experienced 25 million international tourism arrivals a year. Today, as the world population has grown significantly and people, on the whole, have more disposable income, that number has jumped over 1 billion. Before the advent of the Internet, destinations tended to focus mainly on promotion to maximize visitation. In an era when trip choices were more limited, promotion was often all that was needed to capture the visitor dollar. Now, however, travel options have increased exponentially, and the impact of technology has dramatically altered the provision of visitor information, both prior to and after arriving at a destination.

Tourism destinations have begun to appreciate the need to better manage the whole visitor experience as they realize that success can translate into repeat visits, longer stays, increased spending and positive word of mouth. The Internet has brought much more information to the traveler’s fingertips, making destination management even more important. Destinations must be better organized and promote themselves more effectively and more often to stay ahead of the curve.

According to the United Nations World Tourism Organization (UNWTO), the role of governance in tourism is undergoing a shift from a traditional public sector model that promotes government policy to a more corporate model that emphasizes efficiency, return on investments, the role of the market, and partnership between public and private sectors. Regarding the last of these, there has been a greater emphasis on public/private partnerships in recent years as destinations learn that both parties must be equally involved.

In response, destination management organizations (DMOs) have begun to form comprised of both public and private sector stakeholders. DMOs are often the only true advocates for a holistic tourism industry in a place, and in this role, they ensure the mitigation of tourism’s negative impacts to the environment and local communities as well as the sharing of opportunities for a vibrant exchange of people. In fact, a DMO may best serve to facilitate dialogue among the private sector, public sector, and other stakeholders that may otherwise never collaborate or understand how their decisions reverberate down a destination’s long tourism value chain.

So what have we as tourism development professionals learned in the past 50 years? How have we evolved into better destination managers? Better organization, equal inclusion of the private and public sectors, and building local capacity all contribute to making tourism more sustainable. Here are some basic lessons we’ve learned:

Communication counts. Residents need to understand why the historic site or natural landscape they see every day represents a potentially important economic benefit for them. Managers need to understand locals’ needs and concerns. Tourists need to learn the significance of what they see, why and how they can help preserve it. It is best when locals help with this interpretation, as the process increases their ownership of the story. And finally, the rest of the world needs to understand the value of the place. No better messengers exist than those enthusiastic home comers with travel stories to tell.

Planning counts. Without planning and public education, the incentive to protect can easily degenerate into mere exploitation. There is a need to see the whole picture from the beginning and focus on long-term goals throughout the process.

Management counts. Just letting tourism happen likely leads to trouble, especially when visitation soars. Dispersing tourists and timing their access can mitigate crowding. Encouraging tourists to stay overnight instead of making quick day trips can increase local economic benefits. High-quality tourism rather than high-volume tourism conserves rather than exploits.

Individuals count. Behind institutional reports and government memos hides a key reality: individuals make huge differences. Success or failure easily depends on a dedicated local person working tirelessly to inspire others, organize them, and keep the process moving.

Communities count. People who live in gateways hold the key to create a “virtuous circle,” whereby tourism’s contribution to the economy generates incentives to conserve the resources that keep tourists coming. It may be necessary to have some kind of forum, such as a sustainable tourism stewardship council. Top-down schemes imposed from the outside don’t work well, if at all. Locals must own part of the process.

It is uplifting to watch destinations and industry practitioners begin to understand how best to harness the power of tourism and use it for better, not worse.

This blog post is from  www.solimarinternational.com/resources-page/blog/itemlist/tag/Destination%20Management?start=10